Running until February 22 at the Eponymous gallery, Olivier Cornet’s recent exhibition entitled 2012–2022, a decade of exhibitions at the Olivier Cornet Gallery — although a self-effacing celebration of his gallery’s success — triumphantly platformed the individual and collective achievements …
Coburn Gray is highlighting the Wrongs
Maisie Greener reviews Dylan Coburn Gray’s latest production Absent the Wrong and its depiction of queerness, race and adoption in Ireland
With queerness, race, adoption and eviction all appearing in Absent the Wrong’s promotional material, I was slightly apprehensive that Dylan Coburn Gray and Once Off Productions’ collaboration would only skim over these serious subject matters. I expected that the play …