Breaking the story

Pursuing the truth is a daunting task, but journalists through the ages have shown results for their grit and persistence

The first damning article appeared on the New York Times on June 13, 1971. The headline read, “Vietnam Archive: Pentagon Study Traces Three Decades of Growing US Involvement.” It revealed that The New York Times is in possession of pages upon pages of papers detailing the history of U.S.-Vietnam relations, exposing the lies of the government under four presidents fed to the American nation in the six years that the U.S. has been involved in the Vietnam War.

 

Upon the release of the papers, Richard Nixon attempted to silence the New York Times by claiming that it had violated the Espionage Act, saying that the papers would cause “irreparable injury to the defense interests of the United States.” When the Times ceased the publishing of the papers, the Post took over, and the U.S. Attorney General, on the same day, demanded that they ceased publication.

 

They refused, and the case eventually reached the Supreme Court under the name “New York Times Co. v. United States.” But in 1971, the world was on the side of the press. Both the Times and the Post won, and they were able to keep publishing the Papers without fear of censorship or punishment. It was a landmark decision, with the then-Associate Justice saying that “The press was to serve the governed, not the governors.”

 

The story of the ruling is now an Oscar-nominated film that stars Meryl Streep and Tom Hanks, and its release is as timely as ever. The film shows journalism at perhaps its finest moment, when the newsroom was filled with the sound of hundreds of typewriters and the only place anybody remained informed was through newspapers delivered on their doorstep each morning.

 

The movie stands as a reminder of the journalist’s purpose at a time when the press is under constant pressure, whether it be from the ever-changing landscape of media and how we consume it, or cynics claiming “Fake News” at every turn.

 

But The Post isn’t the first of its kind. In 2015, Spotlight, a movie directed by Tom McCarthy, won the Academy Award for Best Picture and Best Original Screenplay. The movie followed the true story of a group of investigative journalists working for the Boston Globe as they unveiled one of the most shocking cover-up cases in recent history: systemic child molestation within the Catholic Church. What the team thought was a local phenomenon turned out to be worldwide, and following the Boston Globe publication, many similar events followed in almost every country in the world.

 

The aftershock was felt in Ireland, too, with cases surfacing in Wexford, Dublin, Cavan, Donegal, Galway, and Cork. Five of the priests who molested children in the Boston area were convicted and sentenced to prison, and in 2003, the Spotlight team won a Pulitzer Prize for Public Service for its reporting which “pierced secrecy, stirred local, national and international reaction and produced changes in the Roman Catholic Church.” The movie is very much a reflection of the journalists’ courage. Writer Josh Singer clarified that “this story isn’t about exposing the Catholic Church. We were not on some mission to rattle people’s faith… The motive was to tell the story accurately while showing the power of the newsroom – something that’s largely disappeared today. This story is important. Journalism is important, and there is a deeper message in the story.”

 

Perhaps even closer to home and more in tune with the times that we live in today is the Guardian and the Post’s reporting on NSA Surveillance. In 2013, both papers almost simultaneously broke the story of a U.S. government secret the likes of which the world has not seen since the Watergate scandal in the 1970s. They revealed the surveillance being done by the National Security Agency in the U.S. on its citizens and foreign officials. The reports were based on whistle-blower Edward Snowden’s leaks, which exposed the agency’s collection of phone records.

 

Not only that, but the reports have revealed secret treaties that were signed by the UK-USA Community in an effort to implement global surveillance, with agencies from countries such as Germany, Sweden, Italy, France and the UK exchanging data of its citizens with the NSA. Snowden was charged with espionage and theft of government property, while then-prime minister David Cameron warned the Guardian against publishing any more of the documents.  The case is ongoing, and the revelations has raised questions surrounding national security and information privacy that we still struggle to solve today.

 

The Panama Papers that came to light in 2016 is a testament to this conflict. The whistleblower, known only as “John Doe,” leaked the information to German journalist Bastian Obermayer in an effort to, according to him, fight corruption and income inequality. As a result, 2.6 terabytes of leaked data that reported financial and attorney-client information of thousands of offshore entities were analysed by reporters from 107 news media outlets in 26 languages. It was a journalism effort quite unlike any we had seen before, and for many, it marked a milestone in data journalism and mobile collaboration, two tools that are being used more and more by the media in the 21st century.

 

As the technological and political landscape continue to shift, the importance of journalism as a watchdog of the public sphere remains as crucial as ever. From Nixon to the NSA, subjecting information to public opinion and helping achieve the transparency that is too often denied by those in power is a daunting but essential task. While films like Spotlight and The Post glorify what is, in reality, a case of long hours, gritty persistence and frequent disappointment, so too do they highlight the power of the pen.

Danielle Olavario

Danielle Olavario is the current Scitech Editor of Trinity News. She is a Senior Sophister Microbiology student.

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